Gaettson is a talented French artist whose innovative sound is making waves in the electronic music scene. The producer draws inspiration from a rich blend of pop culture and legendary electronic artists, creating music that feels like an electro-thriller directed by David Fincher and echoes the moody, nostalgic atmosphere of Stranger Things. His influences span from the addictive beats of French Touch to the entrancing rhythms of French79.
We caught up with him following the release of his EP ‘Monolith‘ to learn more about his background, artistry and expectations for the future.
– What made you pursue a music career? Especially in the electronic scene?
Playing or creating music has always been an outlet for me. Whether it’s learning/playing the trumpet as a child, DJ sets as a teenager, or composing and performing today, the emotions are always there and are very specific to these situations. It’s a feeling I can’t find anywhere else. It’s also my way of sharing my story with people. The very fact of arousing emotion in others is an incredible recognition.Â
Electronic music is perfect for this. It’s an open door to unlimited creativity, where you can do anything and go in any direction you want. You can spend hours or even days working on a particular sound. Electronic music is also about being able to oscillate between a very ambient, chill vibe and something more club-like or darker. The tools and means of expression are highly diversified and customizable.
– Your new EP, ‘Monolith’, has been described as a convergence of past, present, and future in a melodic tapestry. Could you share with us the inspiration behind this project and how it reflects your personal journey as an artist?
I’d say this EP is my first step into the professional world of music. I listen to a lot of different things, both in electronic music and in music in the broadest sense. As this EP was composed over a period of time, it shows the evolution of my influences and the styles that influenced me at a given moment. I wanted to include my different inspirations, from pop to club.
– Can you tell us more about the track “Grège”, which is my personal favorite 🙂
I’m so glad you liked the track to begin with haha, thank you very much!
“Grège” is a bit of a special track. It’s one of the first songs I ever played live, and unlike other songs or what you might hear in general about playing songs over and over again, the more I play it, the more I enjoy playing it. It always gives me so much energy and emotion. I think it lends itself just as well to a storm scene as it does to a long night drive!
– Now it’s your turn to tell us your favorite track from the EP and explain why?
“Grège” (hahaha). No, there are several, it’s hard to choose, but I’d say “Monolith”. It’s the first time I’ve done such a pop song, and also the first time I’ve added vocals. It’s also more uplifting, and it’s got a lot to say. It’s about the adult’s view through the child’s eyes, which is an important part of the story of Gaettson’s tribute project.
– Are there any anecdotes or memorable moments from the creation of ‘Monolith’ that stand out to you as particularly significant or inspiring?
I’d say the finalization of the titles. I’d left several titles on the back burner, struggling to find the time to finish them. Not very original, but I decided to go to the mountains and lock myself away for a few days to try and finish at least 2 or 3 titles. Result: I came back with 6 finished titles. A few more days and I’d have made an album (laughs).
– What’s the best piece of advice you were ever given? And what advice would you give to aspiring music producers/DJ?
The best advice I’ve ever been given is to keep producing what comes out of yourself. Don’t try to stick to a particular style or fashion. I’d say that authenticity and singularity are extremely important for artistic growth and development. You shouldn’t worry too much if it doesn’t sound or doesn’t yet sound like the references you’re leaning towards, as long as it remains sincere and uniquely your own, that’s the most important thing.
– Looking ahead, what do you hope listeners take away from ‘Monolith’ and what can they expect from Gaettson in the future?
I hope listeners will take away from “Monolith” the story that unfolds from track to track, the different influences and inspirations that flow from it, and the personal emancipation it represents. What we can expect from Gaettson in the future, I’d say more music hahaha. Evolution of course, because it’s undeniable and important not to get locked into something and collaborations perhaps!
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